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・ Compassion (Cecil McBee album)
・ Compassion (disambiguation)
・ Compassion (Doctor Who)
・ Compassion (Hank Jones album)
・ Compassion and Responsibility for Animals
・ Compassion Australia
・ Compassion fatigue
・ Compassion Fills the Void
・ Compassion flight
・ Compassion focused therapy
・ Compassion in World Farming
・ Compassion International
・ Compassion International (Taiwan)
・ Compassion of God
・ Compassion Over Killing
Compassion Seizes Bed-Stuy
・ Compassion Suisse
・ Compassion Through Music
・ CompassionArt
・ CompassionArt (album)
・ Compassionate Action for Animals
・ Compassionate conservatism
・ Compassionate Investigational New Drug program
・ Compassionate love
・ Compassionate release
・ Compassionate Sex
・ Compasso d'Oro
・ Compassvale
・ Compassvale LRT Station
・ Compat.egov


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Compassion Seizes Bed-Stuy : ウィキペディア英語版
Compassion Seizes Bed-Stuy

''Compassion Seizes Bed-Stuy'' is an album by American jazz double bassist William Parker which was recorded in 1995 and released on Homestead.
The album is the third part of a sound trilogy including the sextet ''In Order to Survive'' and the solo bass ''Testimony''. In Order to Survive is the name of the ensemble, a quartet with Rob Brown on alto sax, Cooper-Moore on piano, and newcomer Susie Ibarra on drums. "Unrestricted" is a piano-drums duo dedicated to saxophonist Julius Hemphill. "Goggles" is dedicated to bassist Earl Freeman. "For Robeson" is for Paul Robeson. "Malcolm's Smiles" is for Malcolm X. The cover art is a "MusicWitness" painting made during live recording by Jeff Schlanger.〔Original Liner Notes by William Parker〕
==Reception==

In his review for AllMusic, Don Snowden states "Slack moments are rare and the evenly balanced contributions of all four musicians make this a fine example of freewheeling collective improvisation." ''The Penguin Guide to Jazz'' says that compared with the previous album the tracks "are more developed and feature some of the bassist's very best writing."〔 〕 In a double review for the ''Chicago Reader'', Peter Margasak says that Parker's original compositions "employ a variety of melodic and structural gambits toward a single goal: highly sensitive and all-enveloping improvisation."〔Margasak, P., (William Parker ''Compassion Seizes Bed-Stuy'' Rob Brown ''High Wire'' review ) at ''Chicago Reader''〕 In an article for the ''Boston Phoenix'' Ed Hazell notes that "Each track is a cathartic cry from the heart, complex, yet with utter clarity of structure."〔Hazell, E., (Human Revolution: William Parker Moves Free Jazz Ahead ) at ''Boston Phoenix''〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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